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The Music City Review

The Music City Review

Nashville's Source for Arts Review and Discussion

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  • From Adams to Shostakovich: NPO Ends Season Powerfully

  • Sonus Entrances Nashville with “Dusk to Dawn”

  • THE NSO PLAYS BARTÓK, BATES, AND RIMSKY-KORSAKOV

  • Anton Weiss Retrospective at Bennett Galleries

  • Acoustic Landscapes and Architectural Labyrinths: Roomful of Teeth in Review

  • MTSU’s Carmen: Sassy and a Little Dangerous

  • Meow Meow: Just what we always need, right now

  • Riverdance 30: The New Generation

  • OZ Arts Presents Hiroaki Umeda’s assimilating and Moving State 1

  • Pat Metheny at the Ryman

Cheekwood: One of the Nice Things

Few institutions have shaped Nashville’s cultural identity as profoundly or as consistently as Cheekwood. Nestled atop the rolling hills of West Nashville, the estate has evolved from the private residence of the Cheek family into one of Tennessee’s premier destinations for art, horticulture, music, dance, public engagement and essentially all those pursuits that make life in a southern city rich. Over the course of nearly a century, Cheekwood has become far more than a museum or botanical garden. It is a place where artistic excellence meets public accessibility, where local traditions exist alongside international masterworks, and where generations of Nashvillians have discovered that the arts are not a luxury, but an essential part of civic life. The story begins with the completion of the Georgian-style mansion in 1932. Central to the estate’s enduring beauty was the vision of renowned landscape architect Bryant Fleming, whose comprehensive design integrated architecture, sculpture, gardens, and the surrounding Tennessee landscape into a unified artistic composition. Fleming approached the grounds not merely as ornamental gardens but as an extension of the house itself, carefully orchestrating vistas, terraces, water features, stonework, and plantings to create an immersive aesthetic experience. His philosophy—that landscape architecture should function as aRead More
  • Cheekwood: One of the Nice Things

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    Cheekwood: One of the Nice Things
  • The New Wagnerians:  HipHopera at City Winery

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    The New Wagnerians:  HipHopera at City Winery
  • David Lusk Gallery accepted into the ADAA

    Read More
    David Lusk Gallery accepted into the ADAA
  • Jazz Beat – July

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    Jazz Beat – July
  • Dally with Dali At the Frist

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    Dally with Dali At the Frist
  • Vance Thompson’s New Voice

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    Vance Thompson’s New Voice
  • pARTisan to return to David Lusk Gallery

    Read More
    pARTisan to return to David Lusk Gallery
  • The Outlaw’s Aria: Fanny Ray and the Sinners Symphonic Build a Musical World

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    The Outlaw’s Aria: Fanny Ray and the Sinners Symphonic Build a Musical World
  • Hamilton is Coming to TPAC!

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    Hamilton is Coming to TPAC!
  • Jazz Beat – June

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    Jazz Beat – June

From Adams to Shostakovich: NPO Ends Season Powerfully

This year, the Nashville Philharmonic Orchestra (NPO) completed their twenty-second performance season. The NPO is a volunteer community orchestra that has been committed to bringingRead More

Sonus Entrances Nashville with “Dusk to Dawn”

A full crowd gathered in First Lutheran church Nashville for Sonus’ 12th season concert, “Dusk to Dawn”. People from all walks of life, of allRead More

At the Schermerhorn

THE NSO PLAYS BARTÓK, BATES, AND RIMSKY-KORSAKOV

On May 1, 2026, the Nashville Symphony Orchestra performed The Miraculous Mandarin and Music of Bates in Laura Turner Hall at Nashville’s Schermerhorn Symphony Center—Giancarlo GuerreroRead More

Back in the Day

Anton Weiss Retrospective at Bennett Galleries

On May 16 from 6 to 8 PM Bennett Galleries is opening their retrospective exhibition on the life and works of Anton Weiss. The exhibitionRead More
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Theater/Dance

Hamilton Lives up to the Hype

One of the many delights of writing for Music City Review is the variety ofRead More

  • The Book of Mormon

  • Golden Hour and Grand Opera

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Art & Design

David Lusk Gallery accepted into the ADAA

David Lusk Gallery recently announced its acceptance into the Art Dealers Association of America (ADAA),Read More

  • Dally with Dali At the Frist

  • pARTisan to return to David Lusk Gallery

Read All

Classical Music

The New Wagnerians:  HipHopera at City Winery

What does German-born musical entrepreneur Richard Wagner have in common with Nigerian-born musical entrepreneur BabatundeRead More

  • The Outlaw’s Aria: Fanny Ray and the Sinners Symphonic Build a Musical World

  • Illuminating O’Keeffe: Kevin Puts’ The Brightness of Light

Read All

The MCR Interview

JoAnn Falletta on American Music, Memory, and the Stories We Tell

Few conductors have championed American orchestral music as passionately or as consistently as JoAnn Falletta.Read More

  • Carl Robinett on Puppeteering and Performing in Water For Elephants

  • A Conversation with the Nashville Rep’s New Artistic Director Jessica Fichter

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Far-flung Correspondents

Delibes’ Sylvia at the American Ballet Theatre

In comparison to dance companies nationwide, American Ballet Theatre (ABT) is elderly—86 years old. ButRead More

  • Norma and the Reinvention of Tragedy: Reflections from Florence 

  • Jubilee the Opera

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Jazz & Pop

Jazz Beat – July

If you wish to subscribe to this guide, click here! Links to specific venues below:Read More

  • Nashville’s Women in Jazz: ‘Redefining the Standards’

  • Sarah Aili at Analog: An Evening Worth Savoring

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Music City Noir

Jazz Beat — May

This Month’s Highlights Here are the performances this month that I have picked out asRead More

  • Jazz Beat — February

  • From South Pacific to South Georgia: The Color Purple

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Nashville Sonido Latino

Bajo la Marea: El Ritual de Duelo y Matriarcado de Lenin Fernandez

For English Version, Click HERE Un gigantesco velo de plástico se extendía sobre el escenarioRead More

  • Held Beneath the Tide: Lenin Fernandez’s Ritual of Grief and Matriarchy

  • Jazz, Ficción y Tecnología: El Imaginario Sonoro Moderno

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Various & Sundry

A Rambling about Will Hoge

There’s a particular kind of confidence that only comes from an artist still growing decadesRead More

  • Food Roots in review

  • Ambitious, Controversial, and Avant-Garde: The New TPAC Design

Read All
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