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The Music City Review

The Music City Review

Nashville's Source for Arts Review and Discussion

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    • Past Print Issues
  • Lilying the Gilded Age: Fleurs de Ville Returns to Cheekwood

  • Buena Vista Orchestra Brings Cuban Music, Joy, and Virtuosity to City Winery Nashville

  • From Adams to Shostakovich: NPO Ends Season Powerfully

  • Sonus Entrances Nashville with “Dusk to Dawn”

  • THE NSO PLAYS BARTÓK, BATES, AND RIMSKY-KORSAKOV

  • Anton Weiss Retrospective at Bennett Galleries

  • Acoustic Landscapes and Architectural Labyrinths: Roomful of Teeth in Review

  • MTSU’s Carmen: Sassy and a Little Dangerous

  • Meow Meow: Just what we always need, right now

  • Riverdance 30: The New Generation

The MCR Interview:

Composing the Magic of OZ: Dr. Edward W. Hardy on His Music for The Woodsman

Street Theatre’s upcoming season is soon to begin with the play The Woodsman, which tells the backstory story of the Tin Man through movement, puppetry, and music. Dr. Edward W. Hardy wrote the music for the Obie Award-winning original production, as well as serving as the original music director and violinist. He kindly took the time to speak with us about his work in creating and developing this production, as well as his work as a composer and performer. Grace Krenz (GK): Tell us about The Woodsman, and how the play came into being.  Dr. Edward W. Hardy (EH): The Woodsman explores the story of how Nick Chopper becomes the Tin Woodman, the beloved character from The Wonderful Wizard of Oz. The production is essentially like a silent film brought to the stage, relying almost entirely on music, puppetry, movement, and visual storytelling. Because there is very little spoken dialogue, the music became one of the primary ways audiences connect emotionally with each character. It also guides the audience through different perspectives, sometimes placing them in the middle of the action and other times allowing them to observe from a distance, while hinting at what’s to come through the scoreRead More
  • The Jazz Beat — August 2026

    Read More
    The Jazz Beat — August 2026
  • Lilying the Gilded Age: Fleurs de Ville Returns to Cheekwood

    Read More
    Lilying the Gilded Age:  Fleurs de Ville Returns to Cheekwood
  • The Alchemy of Surface and Substance: Investigating the Mixed Media Methodologies of Randy Purcell and Valerie D. Edwards

    Read More
    The Alchemy of Surface and Substance: Investigating the Mixed Media Methodologies of Randy Purcell and Valerie D. Edwards
  • Buena Vista Orchestra Brings Cuban Music, Joy, and Virtuosity to City Winery Nashville

    Read More
    Buena Vista Orchestra Brings Cuban Music, Joy, and Virtuosity to City Winery Nashville
  • Not a Review, but a Request to Pay Attention: An Indigenous Present at the FRIST Museum of Art

    Read More
    Not a Review, but a Request to Pay Attention: An Indigenous Present at the FRIST Museum of Art
  • Queer Mythmaking, Southern Opera, and the Radical Imagination of Kindling Arts Festival 2026

    Read More
    Queer Mythmaking, Southern Opera, and the Radical Imagination of Kindling Arts Festival 2026
  • Cheekwood: One of the Nice Things

    Read More
    Cheekwood: One of the Nice Things
  • The New Wagnerians:  HipHopera at City Winery

    Read More
    The New Wagnerians:  HipHopera at City Winery
  • David Lusk Gallery accepted into the ADAA

    Read More
    David Lusk Gallery accepted into the ADAA
  • Jazz Beat – July

    Read More
    Jazz Beat – July

Lilying the Gilded Age: Fleurs de Ville Returns to Cheekwood

  In 2016, Fleurs de Ville [FdV] inaugurated their extraordinary version of “floral storytelling.” In 2026, this  Vancouver-based artistic tour de force was honored asRead More

Buena Vista Orchestra Brings Cuban Music, Joy, and Virtuosity to City Winery Nashville

The Buena Vista Orchestra is a highly talented ensemble of musicians, known for their traditional Cuban melodies mixed with stellar vocals, improvisation skills, and electricRead More

From Adams to Shostakovich: NPO Ends Season Powerfully

This year, the Nashville Philharmonic Orchestra (NPO) completed their twenty-second performance season. The NPO is a volunteer community orchestra that has been committed to bringingRead More

Sonus Entrances Nashville with “Dusk to Dawn”

A full crowd gathered in First Lutheran church Nashville for Sonus’ 12th season concert, “Dusk to Dawn”. People from all walks of life, of allRead More
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Theater/Dance

Queer Mythmaking, Southern Opera, and the Radical Imagination of Kindling Arts Festival 2026

For nearly a decade, the Kindling Arts festival has occupied a singular place in Nashville’sRead More

  • Hamilton Lives up to the Hype

  • The Book of Mormon

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Art & Design

DOLORES: Andrés Bustamante Confronts the Economics of Immigration Detention at Arcade Arts

Beginning August 6, Arcade Arts’ Gallery 63 will present DOLORES: Immigration, Children, Profit, a newRead More

  • The Alchemy of Surface and Substance: Investigating the Mixed Media Methodologies of Randy Purcell and Valerie D. Edwards

  • Not a Review, but a Request to Pay Attention: An Indigenous Present at the FRIST Museum of Art

Read All

Classical Music

The New Wagnerians:  HipHopera at City Winery

What does German-born musical entrepreneur Richard Wagner have in common with Nigerian-born musical entrepreneur BabatundeRead More

  • The Outlaw’s Aria: Fanny Ray and the Sinners Symphonic Build a Musical World

  • Illuminating O’Keeffe: Kevin Puts’ The Brightness of Light

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The MCR Interview

JoAnn Falletta on American Music, Memory, and the Stories We Tell

Few conductors have championed American orchestral music as passionately or as consistently as JoAnn Falletta.Read More

  • Carl Robinett on Puppeteering and Performing in Water For Elephants

  • A Conversation with the Nashville Rep’s New Artistic Director Jessica Fichter

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Far-flung Correspondents

Delibes’ Sylvia at the American Ballet Theatre

In comparison to dance companies nationwide, American Ballet Theatre (ABT) is elderly—86 years old. ButRead More

  • Norma and the Reinvention of Tragedy: Reflections from Florence 

  • Jubilee the Opera

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Jazz & Pop

The Jazz Beat — August 2026

Nashville’s City Winery is a beautiful venue that consistently features top-talent acts that span genresRead More

  • Jazz Beat – July

  • Nashville’s Women in Jazz: ‘Redefining the Standards’

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Music City Noir

Jazz Beat — May

This Month’s Highlights Here are the performances this month that I have picked out asRead More

  • Jazz Beat — February

  • From South Pacific to South Georgia: The Color Purple

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Nashville Sonido Latino

Bajo la Marea: El Ritual de Duelo y Matriarcado de Lenin Fernandez

For English Version, Click HERE Un gigantesco velo de plástico se extendía sobre el escenarioRead More

  • Held Beneath the Tide: Lenin Fernandez’s Ritual of Grief and Matriarchy

  • Jazz, Ficción y Tecnología: El Imaginario Sonoro Moderno

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Various & Sundry

Cheekwood: One of the Nice Things

Few institutions have shaped Nashville’s cultural identity as profoundly or as consistently as Cheekwood. NestledRead More

  • A Rambling about Will Hoge

  • Food Roots in review

Read All
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