Upcoming: What the Constitution Means to Me
Women in Theatre (WIT) Nashville and the Darkhorse Theater proudly present Heidi Schreck’s award-winning Broadway hit and 2019 Pulitzer Prize finalist, What the Constitution Means to Me.
Inspired by real events, a young Heidi wins constitutional debate contests around the country to earn college tuition. However, as an adult she discovers how debate topics become personal when life and its consequences get messy. Surprising, poignant, and achingly human, the play traces the profound relationship between four generations of women, the founding document that shaped their lives, and how it continues to influence future generations.
WIT Artistic Director Stephanie Dillard states, “This show is not only funny, timely, and insightful—it’s essential. In a period of deep national division and daily threats to women’s rights, this play brings a human perspective to the document we hold dear and questions the idea that we are all ‘created equal,’ while using humor and hope to remind us that there are still reasons to have faith in the future of America.”
What the Constitution Means to Me will be at the Darkhorse Theater November 8-16. For tickets and more information see Women In Theatre Nashville.
Intimacy at the Schermerhorn
Foote and Coleridge-Taylor Quintets
The Nashville Symphony presented a Chamber Music Series this season to provide more intimate and informal concerts for the audience in Music City. The musicians would speak between each piece, providing information about the composer and pieces being performed. At the end of the concert, they also offered an exciting Q&A session to learn more about the musicians.
On Tuesday evening, October 29, they showcased the “Late Romantics Quintet.” They presented “Nocturne and Scherzo, Movements I and II” by Arthur Foote and “Quintet in F-Sharp Minor, Op. 10” by Samuel Coleridge-Taylor. Musicians who performed included Anna Lisa Hoepfinger (violin), Johna Smith (violin), Daniel Reinker (viola), Keith Nicholas (cello), Leslie Fagan (flute), and Katherine Kohler (clarinet).
Before the first piece started, Anna Lisa Hoepfinger spoke a little about Arthur Foote and the piece about to be performed. Arthur Foote was part of the Boston Six, and Hoepfinger brought up a performance that they did of Amy Beach’s piece, since she was also part of the Boston Six, suggesting influences of Beach in Foote’s piece. Hoepfinger also stated that “Norturno” could be performed as a stand-alone, but they decided to perform both movements. This piece featured flute, so Leslie Fagan completed the group as the fifth musician on stage. The first movement is titled “Nocturno” or “Night Music,” and when they started this movement, the blend between each instrument was luscious, with the flute peaking over the strings when given the melody. Fagan’s playing was almost mesmerizing as she flowed between phrases and kept such a delicate and sweet tone. Then we entered the Scherzo, the next movement in this piece. The musicians captured its characteristics with very light and cheerful playing. I was impressed with how closely they matched articulations as each tried to bring out these characteristics.
The next piece, “Quintet in F-Sharp Minor, Op. 10,” was by British composer Samuel Coleridge-Taylor. He composed this piece at nineteen years old and included a bit of African spiritual influences within the rhythms. The first movement, titled “allegro-energico” held a folk-like melody that Kohler on clarinet, played beautifully. Her tone was very full and warm with the cellist, Nicholas, who brought a gorgeous and resonant tone that was maintained into the second movement. Hoepfinger also did an amazing job with her electric playing as she glided her bow through the melodic lines. While listening and watching them perform this movement, it was evident how lively it felt among these performers and throughout the audience as they progressed through it. It was a great introduction to the piece.
The second movement, “Larghetto affecttuoso,” was another incredible movement. This movement sounded very familiar to me, and it was by surprise that Coleridge-Taylor drew much inspiration from Antonín Dvořák, so some may believe it sounded similar to Dvořák’s New World Symphony. It was lyrical and graceful as it pushes and pulls the audience into enchantment. When Kohler played within the higher register, she still brought a very light and delicate sound, almost glass-like. The blend between the cellist, and violist, Nicholas and Reinker, expressed a darker tone that complimented the warmness of the clarinet. There was such gorgeous playing among all the performers.
The following two movements: “III. Scherzo. Allegro Leggiero” and “IV. Finale. Allegro” were also very lovely to listen to. The Scherzo was started off by mainly the cello with its resonant down bows. It led the audience into the main melodic theme that the clarinet took over with her clean and rich sound. The violinists, Hoepfinger and Smith both had moments with Nicholas’ cello where they traded the melody back and forth to add on to the playful nature of the first section of this movement. The movement later led into a sing-song melodic part that the clarinetist did a wonderful job with in her melodious lines, moving quite beautifully between phrases. It sounded dreamlike and romantic as the theme of the quintet suggests. It then ends on the same rhythmic section that it started with returning back to the main theme, but with added energy.
The finale was very dramatic. The main theme of this movement starts off with an intense build up of the melodic line with an increase in dynamics and heavier articulations. This folk-like melody echos throughout each instrument, starting with clarinet and trading off to the violins later to the cello and viola. Near the end of this movement, a repeat of the theme from movement two came through. Parts of the blend between the clarinet and strings made it almost sound like the music was singing to the audience. It demonstrated great contrast between the heavier sounding folk-like theme and the melodious singing. As it finished, there were lots of syncopated rhythms lengthening that tension and then releasing it as it moves into quarter and whole notes at the end.
Their entire performance of the two pieces was outstanding. They allowed the pieces to be filled with life and created a night filled with an exciting and captivating energy. Especially with Coleridge-Taylor’s piece, I am obsessed with his compositions and how he utilizes these folk melodies. It was a fantastic night and I hope everyone can come listen to more music from their chamber series. You will leave learning more about the composers and more about the musicians performing these pieces. Thank you so much to the Nashville Symphony for inviting us to come listen to their chamber group!
Nashville Symphony
Another Fantastic Night Coming to the Schermerhorn
This upcoming weekend the Nashville symphony will be performing the next addition of their Classical Series featuring Rachmaninoff’s Second Piano Concerto. Recovering from the psychological damage and toll of the infamous premiere of his First Symphony, Rachmaninoff spent over three years before composing his next piece. Finally, between 1900 and 1901 he set pen to paper and wrote his Second Piano Concerto in C minor. The Nashville Symphony will be recreating the renowned and astounding debut the Concerto had in November 1901. Featuring conductor Michael Francis and the world-famous Natasha Paremski on piano, this performance will not be one to miss.
Alongside the concerto the Nashville Symphony will be playing Carlos Simon’s “The Block” and Antonin Dvorak’s Slavonic Dances Op. 72. The Block is a modern orchestral study on the artwork of Harlem renaissance painter Romare Bearden. The piece reflects on Bearden’s artistic renderings of African American culture in cities and in the rural United States. Dvorak’s Slavonic Dances are a collection of 16 pieces reflecting and celebrating Slavic culture, very similar to Brahms’ Hungarian Dances. They were originally composed for four hand piano but soon orchestrated for full orchestra due to a request from Dvorak’s publisher. Opus 72 includes the second half written in 1886 and has several movements based on traditional dances such as the Dumka (originally a Ukrainian genre appropriated by Slavic composers). The key difference between the Slavonic Dances and Hungarian Dances is that Brahms’ makes use of complete Hungarian folk melodies. Dvorak wrote new melodies and made use of rhythms based on Slavic folk songs. Both the Slavonic Dances and “The Block” will be fine additions to the Piano Concerto.
Overall these will be a couple of very exciting nights at the Schermerhorn this weekend. Performances are on Friday, November 8th and Saturday, November Ninth, both at 7:30 pm. Tickets are starting at $29 and seats are still available so hurry and get some before they run out. Tickets can be purchased at https://www.nashvillesymphony.org/18484! To learn more about other upcoming symphony performances, chamber performances and other related news be sure to check out our calendar and all things at https://www.nashvillesymphony.org/.
At the Frist
Myths to Manga
On Thursday, October 24th, I was able to attend the opening of Journey Through Japan: Myths to Manga at the Frist Art Museum. It is divided into four main sections: Sky, Sea, Forest, and City. Each section shows how folk tales or myths have shaped art and culture in Japan. The exhibition presents over 150 historic and contemporary objects, ranging from animated movies, origami, and ukiyo-e woodblock prints to dolls, robots, and youth fashion. This exhibit was created to be family friendly and there are lots of fun things for children of all ages to enjoy; there’s an origami station, books, taiko drums, and supplies to make your own manga comic.
by Katsushika Hokusai (1760 – 1849);
Japanese; 19th century.
Woodblock print.
In the first section, Sky, one of the folk stories is about the moon. Similar to the way Americans might say the moon is made of cheese, the Japanese talk about the rabbit that lives on the moon. According to folklore, the ruler of heaven visits earth disguised as a beggar and asks three animals to help him. When he gets to the rabbit, who has nothing to share, the rabbit offers up himself as food. To honor the rabbit, he is elevated to the moon. The moon is still found in popular tales today, like Sailor Moon: a manga about five schoolgirls who use their super powers to defend the solar system.
The second section, Sea, has a print of one of the most well-known works of Katsushika Hokusai, Under the Wave off Kanagawa or The Great Wave. There is also a woodblock print from an unidentified artist entitled The monster catfish causing chaos. In Japanese myths, a giant catfish, Namazu, causes earthquakes and tsunamis by thrashing his tail. Today, an image of a catfish has been used for disaster prevention mascots.
The third section, Forest, tells us stories of humans interacting with wildlife and the need to live in harmony with nature. In the fable of the tongue-cut sparrow, a kind woodcutter befriends a hurt sparrow. One day, the sparrow mistakenly eats the woodcutter’s wife’s laundry starch, so he cuts out his tongue. The woodcutter is worried about the sparrow and goes searching for him in the forest. When he finds him, the sparrow is touched by his kindness and offers him the choice between a small box and a large box. He chooses the small box and it’s full of treasure. His greedy wife goes to find the sparrow and take the large box which turns out to be full of demons or serpents depending on which version of the tale you hear. The exhibit shows clips from Studio Ghibli films: My Neighbor Totoro and The Tale of the Princess Kaguya. My Neighbor Totoro explores the relationship between two young girls and a large forest spirit. They are kind to him and he helps them in return. The Tale of the Princess Kaguya is an adaptation of “The Tale of the Bamboo Cutter,” a 10th-century Japanese tale. A bamboo cutter finds a girl in a bamboo shoot and later finds gold and fine cloth. Believing her to be divine royalty, he raises her and forces her to act like a noble. It is later revealed that she was once a resident on the moon who wanted to experience mortal life. The film ends with her going back to the moon. In these movies we are shown the sacred quality of nature and celestial beings.
In the final section, City, there is an emphasis on the contrast between old and new. In cities like Kyoto, Osaka, and Tokyo, old family homes sit alongside new skyscrapers. According to Japanese folklore, Yōkai (shape-shifting, supernatural beings that include creatures, demons, and spirits) come out at night to cause mischief and mayhem. They can be friendly and playful but they can also be cruel, so it’s best to stay on your guard! These spirits inspire anime, videos games and even fashion accessories. Perhaps the most well known example is Pokémon. Pokémon is a Japanese media franchise consisting of video games, animated series and films, a trading card game, and most recently, the smart phone game: Pokémon Go.
The exhibit will be in the upper galleries until February 16th, 2025. There is a lot more to experience, so bring the whole family and check it out!
Nashville Sonido Latino: Noviembre 2024
Hola a todos y bienvenidos de nuevo a esta columna habitual aquí en Music City Review. Aquí, lo actualizaremos con los eventos latinos más imperdibles que suceden en Music City, para que pueda estar seguro de ver todos sus favoritos y descubrir otros nuevos a lo largo del camino. ¡Sal y apoya a tus músicos locales y haz que Music City siga prosperando! Siempre buscamos promover buena música que quizás no reciba la atención que merece. ¿Tiene algún evento que cree que debería incluirse en el próximo número? Envíeme un correo electrónico a: editor@musiccityreview.com Si desea suscribirse a esta guía, click here!
Click here for an English Version of this Guide: www.musiccityreview.com/3hr4
El Día de los Muertos
November 2, 2024 @ 9:00 am to 5:00 pm at cheekwood
Vive la experiencia de esta hermosa celebración que integra memoria, arte y tradición. En este festival podrás apreciar hermosos altares a la vez disfrutar de deliciosa comida internacional y música latinoamericana.
The Krazy Hour
November 2, 2024 @ 7:30 pm to 8:00 pm at Plaza Mariachi
En una boda o en unos “quince” no puede faltar “la hora loca”, ese momento donde el protocolo pasa a segundo plano, y todos los asistentes se congregan en un carnaval de música y jolgorio. The Krazy Hour es un proyecto que eleva el significado de esta tradición a otro nivel, brindando una experiencia de diversión sin precedentes.
Nashville Latin Fusion
November 2, 2024 @ 8:30 pm to 10:00 pm at Plaza Mariachi
Este proyecto del pianista cubano Melvin Macías, integra el estilo del jazz afrocubano con baladas y otros géneros latinoamericanos. La música de Nashville Latin Fusion refleja la experiencia y la versatilidad de la carrera musical de su fundador que no solo ha experimentado con las músicas de su región, sino incluso del mundo de los musicales.
Los Rodríguez de Tres Linares
November 3, 2024 @ 4:00 pm to 5:30 pm
Desde Nuevo león, la cuna de la música norteña, Los Rodríguez de Tres Linares saciarán a su público con un abanico de géneros desde corridos y zapateados hasta cumbias y boleros. Será una tarde de celebración y baile intensos al mejor ritmo de la tradición neoleonés.
Joan Sebastian Tribute
November 3, 2024 @ 8:00 pm to 9:00 pm at Plaza Mariachi
Un emotivo tributo en honor al gran Joan Sebastian, una leyenda de la música mexicana que ha permanecido en el corazón de sus seguidores. Ven a revivir sus inolvidables éxitos, aquellos temas que han acompañado momentos inolvidables de amor y desolación, interpretados con la pasión que merece. Celebremos el talento y el legado de este icónico cantautor, cuya música sigue resonando y emocionando como el primer día.
Los Alegres del Barranco
November 8, 2024 @ 9:00 pm at Plaza Mariachi
Que la semana de trabajo concluya con una larga y variada celebración del género regional mexicano con los reconocidos artistas Los Alegres del Barranco, El Rabbanito, y el Grupo Viada. Será toda una experiencia del estilo tradicional y moderno de esta música que identifica a tantas generaciones mexicanas.
Giovanni Rodríguez Duo
November 9, 2024 @ 4:00 pm to 5:30 pm at Plaza Mariachi
Al caer la noche se despierta el sol caribeño con el repique de las congas. Giovanni Rodríguez, un artista integral de sangre dominicana y radicado en Nashville, es el director de este proyecto que cuenta también con destacados músicos en la escena musical de la ciudad. Para este evento, el recinto dispone de una pista de baile para vibrar con los ritmos coloridos de la salsa, la bachata y el jazz latino.
Marrocko
November 9, 2024 @ 5:30 pm to 7:00 pm at Plaza Mariachi
Este dueto originario de la ciudad de Cali (Colombia) posee un estilo vanguardista en el que se fusionan el pop y el rock latino con los matices del folk indie. El guitarrista y productor Alex Zúñiga y el vocalista Guile Gadel reflejan en sus composiciones la frescura característica del rock en español y su lírica contemporánea. Dentro de sus producciones la banda cuenta con un álbum titulado “Mar de Rock” en el que sus canciones se alternan entre letras románticas y de introspección. La propuesta de Marrocko ha cautivado al público de la ciudad con presentaciones en el Nashville Shores Waterpark Latino Fest 2023 y el entretiempo del equipo local Nashville SC con un solo de guitarra que impregnó de energía a las barras presentes.
Tropical Fusion Latin Band
November 9, 2024 @ 9:00 pm to 10:00 pm at Plaza Mariachi
Tropical Fusion Latin Band es la gozadera tropical comprimida en un maravilloso ensamble integrado por músicos de diferentes nacionalidades. En sus siete años de carrera, esta es una de las bandas más representativas en la interpretación de géneros como salsa, bachata, son, jazz y cumbia, a lo largo del territorio sureño.
Salserín
November 9, 2024 @ 10:30 pm at Plaza Mariachi
¡A gritar como una adolescente del 2000! Esta noche estará impregnada de nostalgia y pura salsa con uno de los grupos más esperados, Salserín! Ven a bailar y a recordar aquellos éxitos que marcaron a toda una generación millenial, interpretados con la energía y el sabor que hicieron famoso a este grupo juvenil. Revivamos juntos esas canciones que nos hicieron vibrar y enamorarnos.
Jenni Rivera Tribute
November 10, 2024 @ 8:00 pm to 9:00 pm at Plaza Mariachi
Un homenaje especial a la inolvidable Jenni Rivera, la ‘Diva de la Banda,’ cuya música y voz siguen inspirando a millones. Mónica Reyna nos hará recordar sus éxitos, esos temas intensos y llenos de fuerza que capturan sus vivencias y su inquebrantable espíritu.
Arrasador Banda Tenaz
November 10, 2024 @ 9:30 pm to 11:00 pm at Plaza Mariachi
La música de banda parece ser la protagonista este mes. En esta oportunidad la Arrasadora Banda Tenaz, será quién encienda la rumba para los amantes de los ritmos norteños. La agrupación está conformada de jóvenes de raíces mexicanas que residen en Nashville y que encontraron en la tambora sinaloense la oportunidad de ofrecer un estilo diferente en una ciudad que se identifica principalmente con la música country.
Coming soon!
Nashville Sonido Latino, November 2024
Hello, all, and welcome back to this regular column here at Music City Review. Here, we will update you with the most can’t-miss Latino events happening in Music City, so you can be sure to catch all your favorites, as well as discover new ones along the way. Get out there and support your local musicians and keep Music City thriving! We are always looking to promote great music that may not get the attention it deserves. Have an event you think should be included in the next issue? Email me at: editor@musiccityreview.com If you wish to subscribe to this guide, click here!
Haga clic aquí para obtener una versión en español de esta guía: www.musiccityreview.com/isty
El Día de los Muertos
November 2, 2024 @ 9:00 am to 5:00 pm at cheekwood
Experience this beautiful celebration that integrates memory, art, and tradition. At this festival, you will be able to admire stunning altars while enjoying delicious international food and Latin American music.
The Krazy Hour
November 2, 2024 @ 7:30 pm to 8:00 pm at Plaza Mariachi
At a wedding or a quinceañera, “la hora loca” is a must, that moment where protocol takes a backseat and all attendees gather in a carnival of music and revelry. The Krazy Hour is a project that elevates the meaning of this tradition to another level, providing an unprecedented fun experience.
Nashville Latin Fusion
November 2, 2024 @ 8:30 pm to 10:00 pm at Plaza Mariachi
Cuban pianist Melvin Macías’s project integrates Afro-Cuban jazz with ballads and other Latin American genres. The music of Nashville Latin Fusion reflects the experience and versatility of the musical career of its founder, who has not only experimented with the music of his region but even with different worlds, such as musicals.
Los Rodríguez de Tres Linares
November 3, 2024 @ 4:00 pm to 5:30 pm
From Nuevo León, the cradle of norteño music, Los Rodríguez de Tres Linares will satisfy their audience with a range of genres from corridos and zapateados to cumbias and boleros. It will be an afternoon of celebration and intense dancing to the best rhythms of neolonés tradition.
Joan Sebastian Tribute
November 3, 2024 @ 8:00 pm to 9:00 pm at Plaza Mariachi
An emotional tribute in honor of the great Joan Sebastian, a legend of Mexican music who has remained in the hearts of his fans. Relive his unforgettable hits, those songs that have accompanied timeless moments of love and heartache, performed with the passion they deserve. Let’s celebrate the talent and legacy of this iconic singer-songwriter, whose music continues to resonate and move us as it did on the very first day.
Giovanni Rodríguez & 12 Manos
November 4, 2024 @ 9:00 pm to 11:30 pm at Rudy’s Jazz Room
Cada lunes del mes en Rudy’s Jazz Room al caer la noche se despierta el sol caribeño con el repique de las congas. Giovanni Rodríguez, un artista integral de sangre dominicana y radicado en Nashville, es el director de este proyecto que cuenta también con destacados músicos en la escena musical de la ciudad. Para este evento, el recinto dispone de una pista de baile para vibrar con los ritmos coloridos de la salsa, la bachata y el jazz latino.
Los Alegres del Barranco
November 8, 2024 @ 9:00 pm at Plaza Mariachi
Let the work week conclude with a long and varied celebration of Mexican regional music featuring renowned artists Los Alegres del Barranco, El Rabbanito, and Grupo Viada. It will be an experience showcasing both the traditional and modern styles of this music that resonates with so many Mexican generations.
Giovanni Rodríguez Duo
November 9, 2024 @ 4:00 pm to 5:30 pm at Plaza Mariachi
The Caribbean sun comes alive with the vibrant beats of the congas. Giovanni Rodríguez, a versatile artist with Dominican roots now based in Nashville, leads this project alongside some of the city’s top musicians. The venue offers a dance floor for this event, where you can move to the colorful rhythms of salsa, bachata, and Latin jazz.
Marrocko
November 9, 2024 @ 5:30 pm to 7:00 pm at Plaza Mariachi
This duo from Cali, Colombia, brings a cutting-edge style that fuses Latin pop and rock with indie folk nuances. Guitarist and producer Alex Zúñiga, alongside vocalist Guile Gadel, infuse their compositions with the freshness of Spanish-language rock and contemporary lyrics. Their album “Mar de Rock” alternates between romantic and introspective themes. Marrocko has captivated Nashville audiences with performances at the Nashville Shores Waterpark Latino Fest 2023 and a high-energy guitar solo during a halftime show for Nashville, SC.
Tropical Fusion Latin Band
November 9, 2024 @ 9:00 pm to 10:00 pm at Plaza Mariachi
Tropical Fusion Latin Band is tropical joy compressed into a wonderful ensemble made up of musicians from different nationalities. In their seven years of career, this is one of the most representative bands in performing genres like salsa, bachata, son, jazz, and cumbia throughout the southern region.
Salserín
November 9, 2024 @ 10:30 pm at Plaza Mariachi
Get ready to scream like a 2000s teenager! Tonight will be filled with nostalgia and pure salsa with one of the most anticipated groups, Salserín! Come dance and remember those hits that marked an entire millennial generation, performed with the energy and flavor that made this youth band famous. Let’s relive together those songs that made us feel alive and fall in love.
Jenni Rivera Tribute
November 10, 2024 @ 8:00 pm to 9:00 pm at Plaza Mariachi
A special tribute to the unforgettable Jenni Rivera, the “Diva de la Banda,” whose music and voice inspire millions. Mónica Reyna will take us back through her greatest hits, those powerful, intense songs that capture her life experiences and unbreakable spirit.
Arrasador Banda Tenaz
November 10, 2024 @ 9:30 pm to 11:00 pm at Plaza Mariachi
Banda music seems to be the protagonist this month. This time, Arrasadora Banda Tenaz will ignite the party for lovers of norteño rhythms. The group is composed of young people of Mexican descent living in Nashville, who found in the tambora sinaloense an opportunity to offer a different style in a city primarily identified with country music.
From the Nashville Rep.
Our Town at TPAC: “Nice town, y’know what I mean?”
Running from October 25 through November 3 at the Tennessee Performing Arts Center is the Nashville Repertory Theatre’s production of Thornton Wilder’s Our Town. The production is excellent, and it seems to fulfill many of what seem to be Wilder’s intentions in the creation of this diversion.
Our Town was completed in 1938, at the very height of the great depression and with a second global war and catastrophe looming in the political contests in Europe. The third act was written in September of that year, while Wilder was in Munich, a little over a month after the Nazi Luftwaffe had demonstrated their new and devastating Messerschmitt Bf109 fighter there. Within six months, Japan would invade China and Germany would take over Austria. And yet the escapist nature of the play is balanced by its derivative relationship to Charles Dicken’s A Christmas Carol from a century before (complete with ghosts) carrying the same moral lesson that people should appreciate the simple interactions and joys of daily life while they have the chance.
Further, the play is a meta narrative, in that it is a play, or better, an “investigation” set in the actual theater where it is performed with a narrating “stage manager” played handsomely with an incredible grace and authority by Wesley Paine. The stage manager’s character exists somewhere between a narrator and a Greek chorus. She frequently speaks with the audience directly, introduces scene changes and characters, demonstrates empathy and describes background events in the personal lives of the citizens of Wilder’s fictional town—Grover’s Corners New Hampshire, 1901.
The protagonists, if they can be described that way as there isn’t really an “antagonist,” are the fetching couple Emily Weber (Candace-Omnira) and George Gibbs (Bryce Dunn). Theirs is an all-American love story, complete with tragedy, that draws on your heart. Dunn brought out the innocence and perhaps a bit stupid sincerity of George Gibbs with an eloquent nuance, and Candace-Omnira’s Emily Weber was splendid—her portrayal was a masterclass in expression. Her simple, perpetually untied and slightly anachronistic pair of chucks demands special mention for Melissa Durmon’s costuming, but her sharp wit and growing intellect made one wonder if her character might just take that train to Boston someday.
Mr. and Mrs. Webb, (Bakari King and Katie Bruno) were excellent as the newspaper editor and his wife. King’s goofy common-sense comedy, sort of a proto Ralph Kramden or Cliff Huxtable, was super. Dr. and Mrs. Gibbs (Galen Fott and Erica Elam) were excellent too. Elam gave a remarkable portrayal of a rather difficult nuance—a caring, selfless woman who sacrifices her own dreams for those she loves, a role that corroborated, even as it comforted, in the broader tragedy of the story. Beth Anne Musiker’s Mrs. Soames was just downright hilarious, providing a levity that allowed for the multi-layered (with cynicism and hope) depiction of the wedding to emerge without being overly pedantic.
Despite his efforts at escapism and timeless depiction, the outside world of 21st century Tennessee did find its way onto the stage or at least into my mind. The most obvious interactions were the frequent references in the play to the different churches in Grover’s Corners, which elicited laughter from the audience (especially at the mention of “the Baptists”). Mrs. Gibbs’ description of Dr. Gibbs’ interest in the Civil War (barely 45 years shy of its end in the play) gave the impression that the conflict had long since passed, but at that point the contemporary political (Trump vs. Harris) context hung over the audience like a fearsome cloud.
Perhaps most powerful was the Music Teacher, Simon Stimson, played with an appropriately chilling bitterness by Shawn Knight. From the perspective of Wilder’s time, Stimson’s drinking in the first act, his impatience with his singers at the church and his ultimate suicide were all understood as character or even moral flaws. In an age of the Christian Temperance movement this interpretation made sense, but to my eyes, his character pointed to a depressed man who was self-medicating with alcohol. The contrast revealed a side of Grover’s Corners that is closer to Peter Grimes’ Borough than anyplace Norman Rockwell ever drew—a nice town indeed.
Finally, Grovers Corners is largely a blanched community and its only recognized minority population lives in “Polish Town.” Apart from mention of the civil war, explained by Wilder as a time when “New Hampshire boys…had a notion that the Union ought to be kept together, though they’d never seen more than fifty miles of it themselves” there is no mention of racial tensions—this in a play set at the beginning of segregation and Jim Crow in the United States.
In an ingenious gesture, the props in Gary Hoff’s scenic design are first absent particulars (plates, cups, paper, etc), but in the third act they appear as the characters’ perspective changes, and they learn to recognize that there is “something eternal in every one of us.” At that moment I briefly wondered if the characters might not also see the broader and uglier world events that Wilder had excised from his fictional town—the lynchings, the multiple approaching wars, etc.
Ultimately, as I said at the top, the performance was excellent, but in a time (as always) when our society demands participation, Wilder’s escapism left me disconcerted. Works that ask us to recognize the beauty of the everyday rarely explain how that might be accomplished without ignoring the injustices that mark every epoch.
The Jazz Beat, November, 2024
Hello, all, and welcome back to this regular column here at Music City Review. Here, we will update you with the most can’t-miss jazz events happening in Music City, so you can be sure to catch all your favorites, as well as discover new ones along the way. Get out there and support your local musicians and keep Music City thriving! We are always looking to promote great music that may not get the attention it deserves. Have an event you think should be included in the next issue? Email me at: JazzBeat@musiccityreview.com
If you wish to subscribe to this guide, click here! Links to specific venues below:
This Month’s Highlights
Here you’ll find the shows and events this month that I think are the real standouts, unique events that you won’t find every day in the city.
Pigeons Playing Ping Pong – Friday, November 1 – 8:00 PM (Brooklyn Bowl)
PPPP is one of my favorite bands, and although this show is happening the day this newsletter comes out, I will certainly be at the show and I couldn’t help but include it. Featuring highly skilled musicians, the band performs a great blend of rock and funk with plenty of guitar solos to go around. If you can manage to get a ticket, I highly recommend it!
Here Come the Mummies – Saturday, November 2 – 8:00 PM (Brooklyn Bowl)
Amazingly, as the name might suggest, this is a band of mummies. Known for their live performances and funk-rock sound, the band consists of various professional musicians based here in Nashville who all perform anonymously in mummy costumes.
Felix Martin – Sunday, November 10 – 7:00 PM (DRKMTTER)
Venezuelan guitarist Felix Martin is something of an enigma. Blending genres as diverse as metal, jazz, and Latin music while performing on self-designed 12, 14 and 16-string guitars, Martin has performed all over the world, from America to Europe to Latin America to China. Martin now makes a stop in Music City.
Wendy Moten – Thursday, November 14 – 7:00 PM (The Cherry Theater)
Originally from Memphis, jazz singer Wendy Moten now calls Nashville her home. Moten used her powerful vocal abilities to become runner-up on NBC’s The Voice, and since beginning her recording career in 1992 has released five full-length studio albums and amassed almost one hundred thousand monthly listeners on Spotify.
Ari Hoenig Trio (2 sets) – Friday, November 15 – 5:30 PM ($25) & 8:00 PM ($35)
Highly acclaimed jazz drummer, composer, and educator Ari Hoenig drops into Music City for two back-to-back sets at Rudy’s. Hoenig has been studying and performing music since before the age of fourteen, and since has performed with some of the greats of the modern era, including Kenny Werner, Kurt Rosenwinkel, Joshua Redman, and many more. His trio for this performance will feature Jacob Duncan on saxophones and Ryan McGillicuddy on bass.
Sam Greenfield – Thursday, November 21 – 6:30 PM (The Basement)
Saxophonist Sam Greenfield’s music is upbeat, funky, and features intricately written harmonic lines. His sound will hit home for any jazz fan.
Dogs in a Pile – Thursday, November 21 – 7:00 PM (The Basement East)
Blending jazz, funk, rock, and psychedelia, Dogs in a Pile is a band from Asbury Park, New Jersey, continuing the rich musical legacy of that town while forging ahead with their own original sound.
James Austin Jr. Trio “Songs in the Key of Wonder and More!” – Friday, November 22 – 8:00 PM ($20)
Chicago-based James Austin Jr is an accomplished jazz pianist and bandleader who has studied under the tutelage of a number of legendary jazz musicians, including extensive study with Barry Harris. “Songs in the Key of Wonder” is a special project of Austin’s unique jazz arrangements of a collection of a beloved Stevie Wonder tunes.
Ari and Cecil Alexander Quartet – Friday, November 29 – 8:00 PM ($23)
Eclectic musical duo Ari and Cecil Alexander will perform a selection of originals and Great American Songbook classics, arranged for an intimate yet energetic quartet setting. Both leaders are highly accomplished musicians and composers. Cecil Alexander is a guitarist from Michigan who has won numerous guitar competitions, while Ari Alexander is a Danish-American vocalist who comes from a long line of musicians.
Analog at Hutton Hotel
Analog Soul (multiple shows) – Sundays, November 10, 17, & 24 – 7:00 PM (Free GA / $20 reserved seating)
The Analog continues its Analog Soul series, featuring some of the city’s most promising emerging talent who are redefining soul music. The performance on the 17th will feature Analog regulars Will Davenport, Alex Slay, and Jon “DJ Smoke” Lucas, while artist for the other two shows are still To-Be-Announced.
Arrington Vineyards
Music in the Vines Series – Every Saturday (3:00-7:00 PM) & Sunday (1:00-5:00 PM)
Arrington Vineyards features concerts of Jazz and Bluegrass every Saturday and Sunday. Below is listed the lineup for this month.
- Saturday, November 2 – The Lilliston Effect Sunday,
- November 3 – The Miles Damas Group Saturday,
- November 9 – Art Four Sale Band Sunday,
- November 10 – Reed Pittman Band Saturday,
- November 16 – 9 Volt Romeo Band Sunday,
- November 17 – The Josh Karas Trio Saturday,
- November 23 – The Miles Damas Group Sunday,
- November 24 – Reed Pittman Band Saturday,
- November 30 – The Lilliston Effect
Live Jazz on the Hillside – Every Friday (except Black Friday) (3:00-7:00 PM)
This month Arrington will also feature a series of dedicated jazz concerts on Fridays on the Hillside Stage. Below is listed the lineup for this series.
- Friday, November 1 – The Josh Karas Trio
- Friday, November 8 – Andrew Carney and the Essentials
- Friday, November 15 – The Lilliston Effect
- Friday, November 22 – Andrew Carney and the Essentials
Black Friday Food Trucks & Jazz – Friday, November 29 – 12:00 PM
Food Truck Friday at Arrington returns for Black Friday, featuring food trucks Mac Shack and Cousins Maine Lobster, and live jazz from 9 Volt Romeo.
City Winery Nashville
Nashville’s City Winery is a beautiful venue that consistently features top-talent acts that span genres from Jazz to Americana to Hip Hop. The below performances showcase a mix of several genres, but will certainly be of interest to any jazz audience. Enjoy these concerts accompanied by a stellar selection of wine and delicious bites.
Main Stage
Jeff Bradshaw – Thursday, November 7 – 7:30 PM ($35+)
Jazz-soul trombonist Jeff Bradshaw has returned to the scene after a six-year hiatus from performing. His last album, Stronger, was released in November of 2020 and features industry giants like Grammy-winners Robert Glasper, Raheem DeVaughn, and Marsha Ambrosius. The album was nominated for a 2021 NAACP Image Award.
The Nashville Jazz Workshop
Moving on to Music City’s other great jazz venue, the Jazz Cave at the NJW is a venue with world-class acoustics, which consistently ranks in Downbeat Magazine’s list of Great Jazz Venues in the world. Tickets can be purchased through the Workshop website.
Jazz Cave
Thea Danos Presents ‘Tis Autumn – Friday, November 1 – 7:30 PM
In-demand Nashville jazz vocalist Thea Danos performs a fall-themed set with her backing trio in the Jazz Cave. This special performance will pay homage to jazz greats like Nat King Cole and Ella Fitzgerald, and feature classics from the Great American Songbook like “’Tis Autumn,” “Autumn Leaves,” “Early Autumn,” “Autumn in New York,” and many more. Her backing band features Alex Murphy on piano, Baily Johnstone on bass, and Ryan Brasley on drums.
Lori Mechem Quartet – Saturday, November 2 – 7:30 PM
Longtime Nashville pianist, composer and educator Lori Mechem performs with her quartet. Mechem’s career directing countless productions and performing with greats like Jimmy Smith and Dizzy Gillespie have earned a highly respected name in the industry. Her quartet will feature her husband Roger Spencer on bass, Andy Reiss on guitar, and Larry Aberman on drums.
The Jordan Perlson Trio – Friday, November 8 – 7:30 PM
Prominent Nashville drummer Jordan Perlson comes to the Cave with his trio featuring pianist David Rogers and bassist Jacob Jezioro. Perlson’s career has encompassed over one hundred recording credits and performances with artists as varied as Gary Burton, Missy Raines, Matisyahu, Snarky Puppy, Kaki King, and many more.
Level Up Big Band: Stage One – Sunday, November 10 – 7:30 PM
The Level Up Big Band is a 17-piece ensemble dedicated to performing music from hit video games. It may sound silly, but this band features some of Nashville’s top jazz talent, including Jeff Coffin, Jamey Simmons, Kevin Gatzke, Brandon Moore, and many others.
Alex Graham’s Psychedelic Doomsday Machine – Friday, November 15 – 7:30 PM
Alex Graham is one of Nashville’s preeminent alto saxophonists, composers, and educators. For this special performance, he returns to the Cave with some of Nashville’s other great musicians to perform Alex’s genre-bending music, featuring new arrangements and compositions. His band will feature Emmanuel Echem (trumpet), David Rodgers (rhodes), Brian Allen (bass), and Marcus Finnie (drums).
Rudy’s Jazz Room
And now we move on to Nashville’s premier jazz club, with its cozy, intimate setting. I’ll start with some of the unique highlights for this month, then follow up with the great regular acts performing. Please note that some shows are one dollar cheaper if you purchase advance tickets. I have listed the door price for all shows.
Rudy’s Highlights
Below are the performances for this month that I’ve picked out as the real can’t-miss shows, some featuring touring artists from out of state, others featuring local artists giving specialized, unique performances. Below are the performances for this month that I’ve picked out as the real can’t-miss shows, some featuring touring artists from out of state, others featuring local artists giving specialized, unique performances.
Lisa Stewart – The Legends of Jazz: A Tribute – Friday, November 1 – 5:30 PM ($15)
Acclaimed jazz singer Lisa Stewart performs with an all-star band featuring drummer Chester Thompson, pianist Jeff Taylor, bassist Jack Aylor, and trumpeter Michael Fair. This special performance pays tribute to the all-time greats of jazz vocal music, featuring classics by Billie Holiday, Ella Fitzgerald, and more.
Sofia Goodman Trio – Friday, November 1 – 11:00 PM ($10)
Award-winning Nashville-based drummer and composer Sofia Goodman returns to the Rudy’s stage. Her music has been highly praised by publications like DownBeat magazine, as well as industry titans like Jeff Coffin.
Don Aliquo / Miguel Alvarado Quintet – Saturday, November 2 – 8:00 PM ($21)
Renowned Nashville saxophonists Don Aliquo and Miguel Alvarado co-lead a quartet featuring Rob Linton on bass and Dave Potter on drums.
Marc Payne (2 performances) – Saturday, November 2 – 11:00 PM ($10) & Monday, November 11 – 6:00 PM ($12)
One of Nashville’s most talented up-and-coming pianists Marc Payne will lead his trio. Payne has been praised for his diversity and wide knowledge of many jazz styles. He has spent his life in Nashville soaking up many different sounds and styles, and this diversity comes through in his masterful playing. The first of these performances will be in quartet format, featuring Rob Linton (bass), Nate Spratford (sax), and Christian Burgs (drums), while the second will feature his regular trio.
Jerome Degey Jazz Quartet – Sunday, November 3 – 6:00 PM ($14)
Degey is a Nashville-based guitarist originally from Paris, France. His family heritage also features Afro-Caribbean roots, and together with his longtime interest and study of Brazilian culture, these influences create a rather unique musical blend. His regular trio features Ryan Brasley on drums and Charles Treadway on keys, but for this performance they will also be joined by Don Aliquo on saxophone.
Blue Matter Project ft. Robert Baglione – Monday, November 4 – 6:00 PM ($12)
Chicago native guitarist Robert Baglione and his band Blue Matter Project offer interpretations of straight ahead contemporary electric and pop jazz stands. The band will feature Anthony Belfiglio on keys, Brian Cornish on sax, Leland Nelson on bass, and Isaac Velasquez on drums.
Crystal & Friends – Wednesday, November 6 – 6:00 PM ($12)
Soulful jazz vocalist Crystal Miller returns to the Rudy’s stage once again to offer her moving interpretations of classic music.
Basher – Wednesday, November 6 – 9:00 PM ($15)
Basher is a New Orleans-based “free jazz party band,” offering performances of highly improvisational music. Led by saxophonist and composer Byron Asher, the band has been performing across the US since 2017, and have garnered much attention in the New Orleans creative music scene. This should be a great show for anyone interested in the more progressive side of jazz music.
Bruce Dudley Quartet Plays the Music of Cedar Walton – Thursday, November 7 – 9:00 PM ($14)
Bruce Dudley is a Steinway Concert Artist who has over 40 years of experience performing jazz all throughout North and South America. He has recorded a number of albums as bandleader, as well as performed with big industry names like Aretha Franklin, Herb Ellis, and Crystal Gale. This special performance will pay tribute to the music of jazz great Cedar Walton, and the quartet will feature Don Aliquo, Rob Linton, and Ryan Brasley.
The Chris Mondak Band – Friday, November 8 – 11:00 PM ($10)
Nashville bassist and composer Chris Mondak returns to the Rudy’s stage with his band. Mondak’s aggressive bass style has been compared to that of legendary bassist Charles Mingus, and he has performed extensively throughout the US, as well as in Australia, Mexico, and Panama.
Andy Reiss & Joe Settlemires – Saturday, November 9 – 5:30 PM ($15)
Two of the top guitarists on the scene today come together for an evening set of guitar-duo jazz. Andy Reiss is a known face on the Rudy’s stage, having been performing in Nashville for decades, while Joe Settlemires hails from Oklahoma, where he is one of the state’s most prolific and celebrated musicians.
Jose Gobbo Quartet ft. Marc Payne – Saturday, November 9 – 11:00 PM ($12)
Jose Gobbo is a Brazilian jazz guitarist now based in Illinois. He has performed all over the US and been featured as a guest artist at a number of prominent universities. He now performs with a quartet featuring Marc Payne on piano, Bailey Johnston on bass, and Jay Ferguson on drums.
Nigel Cathéy Quartet “Standards Sessions” – Wednesday, November 13 – 6:00 PM ($12)
Known for his curation of an authentic, vibrant live performance, Nashville trumpeter, arranger, and educator Nigel Cathéy offers a collection of jazz standards in a quartet format, featuring the works of Tadd Dameron, Cole Porter, and Miles Davis.
Ari Hoenig Trio (2 sets) – detailed above
The Ted Ludwig Quartet – Saturday, November 16 – 8:00 PM ($20)
Highly acclaimed New Orleans seven-string guitarist Ted Ludwig performs with his quartet.
Wendy Burns Sings the Great American Songbook – Sunday, November 17 – 6:00 PM ($18)
Nashville vocalist and flutist and host of Rudy’s semi-regular Ladies of Jazz series Wendy Burns presents and evening of all the most classic jazz tunes from the Great American Songbook. Having studied this music literally her entire life, Burns offers expert interpretations of the most timeless jazz music, including works by Cole Porter, George Gershwin, Johnny Mercer, among many others.
Viktor Krauss – Monday, November 18 – 6:00 PM ($10)
Viktor Krauss is a bassist that has called Nashville home since 1992, and has over 600 credits to his name as either bassist, composer, or producer.
Rebecca Carlson – Thursday, November 21 – 9:00 PM ($14)
Jazz and blues vocalist Rebecca Carlson has made a name for herself across the country, taking stints based in New York City, Tucson, Los Angeles, and now Nashville. An extensive touring and recording career has made her quite an in-demand performer.
James Austin Jr. Trio “Songs in the Key of Wonder and More!” – detailed above
Andrew Golden’s Farm Feelings – Friday, November 22 – 11:00 PM ($12)
Nashville trumpetist Andrew Golden, host of the weekly Bohemia After Dark jazz show over at Old Glory, and his band Farm Feelings present a rather unique farm-themed performance. Infused with soulful melodies and foot-tapping rhythms, the band’s farm-inspired tunes offer a whimsical and light-hearted evening of music. The band features Ty Bailie on Hammond organ, Adam Mcphail on guitar, and Nate Felty on drums.
Bob Sabellico “Soul Jazz & Jam” – Friday, November 29 – 5:30 PM ($14)
Guitarist, synthesist, and composer Bob Sabellico presents a high-energy jazz jam featuring Jody Nardone on piano, Vail Johnson on bass, and Raymond Massie on drums.
Ari and Cecil Alexander Quartet – detailed above
Rudy’s Regulars
Pat Coil’s “Music for Humans” – Friday, November 1 – 8:00 PM ($21)
Renowned Nashville pianist Pat Coil will perform this month with his special act Music for Humans, which will feature Don Aliquo on saxophone, Wes Little on drums, Adam Nitti on bass, and Hunter Strasser on guitar.
Jonathan Wires Quintet – Saturday, November 2 – 5:30 PM ($15)
Nashville bassist Jonathan Wires returns as bandleader in a quartet setting.
Dana Robbins Quintet – Friday, November 8 – 5:30 PM ($15)
GRAMMY-winning saxophonist Dana Robbins pays tribute to the Soul Jazz sound of the late 60’s and early 70’s, celebrating artists such as Les McCann, Eddie Harris, Jimmy Smith, and more. Robbins has either recorded or performed with many artists, including Keb’ Mo’, Aretha Franklin, Taj Mahal, Keith Urban, and more. Her band features David Santos (bass), Wes Little (drums), Phil Hughley (guitar), and Darius Mines (piano/B3 organ).
Stephanie Adlington – Friday, November 8 – 8:00 PM ($23)
Another frequent visitor to the Rudy’s stage, award-winning vocalist, songwriter and vocal coach Stephanie Adlington is known as the “Siren of the South,” with an “unrivaled” take on the Great American Songbook.
Jody Nardone Trio (2 performances) – Saturday, November 9 ($22) – 8:00 PM & Saturday, November 23 – 5:30 PM ($17)
Prominent Nashville pianist Jody Nardone brings his trio to Rudy’s for a classic jazz set. With a growing national reputation, Nardone seamlessly shifts from the “whispered beauty of Bill Evans to the percussive flights of McCoy Tyner.” (Michael McCall, Nashville Scene)
Sully’s Swingin’ Sunday Supper – Sundays, November 10 & 24 – 6:00 PM ($12)
Every other Sunday, Rudy’s features a Sunday dinner, with one of Music City’s top bassists Jimmy Sullivan leading a swingin’ jazz band featuring rotating special guests, for which a unique dinner special is served just for the show.
Regi Wooten & Friends – Wednesdays, November 13, 20 & 27 – 9:00 PM ($15)
Coming from a distinctly talented musical family, Regi Wooten is one of the most innovative and dynamic musicians on the scene today, pushing the boundaries of the traditional genres. Equally at home playing Hendrix as Wes Montgomery, Wooten assembles a group of some of Nashville’s best musicians to offer a night steeped in funk, jazz, soul, blues and rock.
Cliff Richmond & the CliffNotes – Thursday, November 14 – 9:00 PM ($14)
Guitarist and vocalist Cliff Richmond’s band always features some of Nashville’s top talent, and presents a great blend of soulful, swinging, and funky jazz.
Don Aliquo Trio (multiple performances) – Friday, November 15 – 11:00 PM ($10) & Saturday, November 23 – 11:00 PM ($10)
One of Nashville’s most active and accomplished saxophonists, Aliquo will be leading performances with his trio twice this month.
Pat Coil Quartet – Saturday, November 16 – 5:30 PM ($16)
Renowned Nashville pianist Pat Coil will lead his quartet featuring Pat Bergeson on guitar, Baily Johnstone on bass, and Ryan Brasley on drums.
Geoff Pfeifer Quartet (2 performances) – Saturday, November 16 & Friday, November 29 – 11:00 PM ($10)
Playing a mix of Wayne Shorter tunes and originals, Geoff Pfeifer brings gritty, edgy, genuine NYC-style jazz to Rudy’s stage with his Quartet.
Bizz Bigsby – Wednesday, November 20 – 6:00 PM ($15)
Nashville native Bizz Bigsby shares his very personal music which tells the story of his life, influenced by everyone from Bill Withers to George Jones to James Taylor.
Bruce Dudley Quartet – Saturday, November 23 – 8:00 PM ($21)
Bruce Dudley is a Steinway Concert Artist who has over 40 years of experience performing jazz all throughout North and South America. He has recorded a number of albums as bandleader, as well as performed with big industry names like Aretha Franklin, Herb Ellis, and Crystal Gale. This performance will feature a quartet format with Monica Ramey on vocals as well as Roger Spencer on bass and Larry Aberman on drums.
Re-Evolution – Monday, November 25 – 6:00 PM ($12)
This five-piece band is heavily influenced by classic jazz cutting-edge artists like Thelonius Monk, Wes Montgomery, John Coltrane, Bill Evans, and more. The band consists of Brian Cornish on saxophone, Regi Wooten on bass, Daryl Johnson on drums, Adam Charney on guitar and Alex Murphy on piano.
PT Gazell & The Side Effects – Wednesday, November 27 – 6:00 PM ($10)
Giovanni Rodriguez & 12 Manos – Every Monday – 9:00 PM ($15)
A favorite on the Nashville Latin and jazz scene, multi-instrumentalist Giovanni Rodriguez presents an electric night of salsa, along with his band consisting of Rodriguez (bass/vocals), Melvin Macias (piano/vocals), Jesus Agreda (Timbales), Lorenzo Molina Ruiz (Trumpet), and Manuel ‘Manotas’ Ramierez (multi-Percussion).
Hot Club Gypsy Jazz – Every Thursday (except Thanksgiving, November 28) – 6:00 PM ($12)
Every Thursday night, Rudy’s honors its New Orleans and French roots by celebrating the vibrant music of Gypsy Jazz. These nights feature a variety of small groups either led or curated by New Orleans native Brook Sutton, all performing music in the style of the great Django Reinhardt and Stephane Grapelli. The bar will feature French Quarter-inspired cocktails as well as gumbo and beignets. Come out for as authentic a night as you can get without a trip to the French Quarter.
Rudy’s Jazz Jam – Every Sunday – 9:00 PM ($10)
I couldn’t make a list of Rudy’s events without including a shout-out for the regular weekly Jazz Jam the club hosts every Sunday night. Whether you are a jazz musician and you want to jam with your fellow artists, or you just want to come and enjoy what the local talent has to offer, the Jazz Jam is a great way to end your weekend.
Sambuca Restaurant
Sambuca is a New American restaurant in Nashville’s Gulch district, featuring nightly live music. Below are the appearances that will interest the jazz listener!
Patton James – Wednesday, November 6 – 6:00 PM
Guitarist and singer/songwriter Patton James presents his selection of original music and works from the American Songbook.
Amanda Raye – Thursday, November 7 – 6:00 PM
Though her music stands out as a blend of soul and country, singer Amanda Raye has been noted for her jazz influences.
Erik Blue – Friday, November 8 – 7:00 PM
This band has been described as “the best live band in Nashville,” creating an upbeat atmosphere that keeps audiences on their feet.
Stephanie Adlington – Sunday, November 10 – 6:00 PM
Detailed in the Rudy’s section above, Adlington is a jazz vocal mainstay in Nashville.
Cliff Richmond – Tuesday, November 12 – 6:00 PM
Nashville guitarist and Rudy’s regular Cliff Richmond will perform once this month.
Leif Shires – Thursday, November 14 – 6:00 PM
Modern jazz trumpeter Leif Shires will perform once this month. Shires, who has performed with many artists including Tom Jones, the Secret Sisters, Kelly Lang, and many others, now presents a traditional, straight-ahead jazz sound that is sure to be a great accompaniment to a delicious meal.
Steve Roper – Sunday, November 17 – 6:00 PM
For three years, Steve Roper was the band leader and music director for the Steven Roper and the B.B. King Allstars band at the B.B. King Club here in Music City. His primary genres are jazz and blues, but his skillset extends well beyond these styles to R&B and even country.
Dinner Over Jazz Series – Monday, November 18 – 7:00 PM
Sambuca’s Dinner Over Jazz series continues, this time featuring Lindsey Webster.
Sarah J – Tuesday, November 19 – 6:00 PM
Known for an energetic personality and audience interactions, Sarah J’s music combines R&B, pop, and contemporary jazz.
Ben Graves – Monday, November 25 – 6:00 PM
An incredibly eclectic and versatile musician, Ben Graves has performed music in genres from classical to jazz to hard rock, weaving all of this experience together into a unique style.
The Underdog Nashville
The Guthrie Trapp Trio – Mondays, November 4, 11, & 25 ($10)
One of Nashville’s preeminent guitar talents will perform several times at the Underdog. More blues and country than jazz, Trapp’s intricate and highly technical guitar playing will surely interest those who love the technicality of jazz music. His trio features Jordan Perlson on drums and Tim Marks on bass.
Hank Born – Tuesday, November 26 – 8:00 PM (Free)
Nashville-based guitarist Hank Born returns to the Underdog for his monthly residency. Born’s playing combines elements from influences like Herbie Hancock and George Benson, making this a can’t-miss performance for any modern jazz fan.
University Jazz
As the academic semester winds down this month, naturally there is a plethora of student recitals at the city’s music schools. I’ve listed the ones of interest below.
Vanderbilt – Blair School of Music 
Vanderbilt Jazz Orchestra and Blair Jazz Choir – Sunday, November 10 – 8:00 PM (Free w/ Tickets Required)
Blair Big Band – Thursday, November 14 – 8:00 PM (“Pay As You Wish” – $0-30)
Blair Jazz Combos – Sunday, November 17 – 8:00 PM (Free w/ Tickets Required)
Belmont 
Jazzmin – Friday, November 1 – 6:00 PM
Jazzmin is a jazz vocal group performing a range of styles from blues to swing to bebop to contemporary.
Jazz String Septet – Sunday, November 10 – 6:30 PM
Faculty Jazz Group – Wednesday, November 13 – 7:30 PM
Regular Nashville Hangs
Bohemia After Dark: Live Jazz Band with Andrew Golden – Every Monday – 8:00 PM (Old Glory)
Tuesday Bluesday w/ Shantelle & The Juke Joint Band – Every Tuesday – 6:30 PM (Rawhides)
Weekly blues night with a different special guest each week.
Dinner & A Show – Live Jazz Band – Every Friday – 7:00 PM (Flamingo Cocktail Club)
Living Room Sessions – Every Friday & Saturday – 8:00 PM (W Nashville Hotel)
Regular weekly showcase featuring local indie, jazz, funk, and R&B bands.
Eastside Jam – Every Sunday – 9:00 PM (Inglewood Lounge)
This is not a traditional jazz jam playing standards, but rather an improv jam, but any jazz player or listener will still be interested!
Nightly Jazz at Skull’s Rainbow Room
Shucked Coming to Nashville
What do you get when you pair a semi-neurotic, New York comedy writer with two music superstars from Nashville? A hilarious and audacious farm-to-fable musical about the one thing Americans everywhere can’t get enough of: corn. Shucked is the new musical comedy that proves sometimes tearing down a few walls, rather than growing them, is the only way to preserve our way of life. Shucked is turning musical theatre on its ear and is offering a kernel of hope for our divided nation.
Shucked is a 2022 Broadway musical that was nominated for 9 Tony awards and a Grammy for the cast recording. The music was written by Grammy Award winners, Tony Award nominees and Nashville music superstars Brandy Clark and Shane McAnally, and directed by three-time Tony Award winner Jack O’Brien.
Shucked will be at TPAC November 5-10. For tickets and more information, see Shucked | TPAC®, and for more information about their North American Tour, see Shucked.
The MCR Interview
Percussionist Shane Shanahan on his work with the Silkroad Ensemble
Christina Vongsiharath conducts an interview of percussionist, world musician and member of the Silkroad Ensemble Shane Shanahan. His influences and compositional process are discussed as well as the ensemble’s recent work on the American Railroad project and the coming appearance in Nashville.
